{"title":"Lonesome Day Records","description":"\u003cp\u003e\u003cspan\u003eLonesome Day Records, located in Booneville, KY, was established in 2002 by audio engineer and record producer Randall Deaton. The label has released top charting Bluegrass and Country albums and singles by renowned artists such as Ralph Stanley II, Larry Cordle, Blue Moon Rising, Girls, Guns and Glory, Shotgun Holler, Fred Eaglesmith, Lou Reid \u0026amp; Carolina, Darrell Webb, Randy Kohrs, Richard Bennett, Sarah Borges, Tim Shelton, Steve Gulley, and Jeff Parker.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"tim-shelton-jackson-browne-revisited-cd","title":"Tim Shelton - Jackson Browne Revisited (CD)","description":"The album Jackson Browne Revisited, released in 2015 on Dry Lightning Records (an imprint of Lonesome Day Records), showcases Tim Shelton—the Ohio-based singer, guitarist, and former lead vocalist of NewFound Road—in a thoughtful tribute to Jackson Browne’s songbook. This 12-track album, approximately 51 minutes long, transitions Shelton from his bluegrass roots to a broader Americana\/adult contemporary sound, offering direct, heartfelt interpretations of Browne’s classics with melodic warmth, layered vocal harmonies, and acoustic-centric arrangements that respect the originals’ introspective essence while adding subtle roots inflections.\r\n\r\nProduced by Paul Q. Kolderie—a veteran engineer and producer with an extensive resume including work on Radiohead’s The Bends, Uncle Tupelo’s Anodyne, and albums by Pixies, Dinosaur Jr., and Warren Zevon—the project was recorded in Cincinnati. Kolderie emphasizes clean, balanced mixes that prioritize vocal clarity and instrumental subtlety, avoiding heavy effects to let Shelton’s smooth tenor and the songs’ emotional weight shine. The production style draws from Kolderie’s roots-rock background, creating a listenable, cohesive flow with tasteful reverb, gentle percussion, and harmonic depth—resulting in a polished yet unpretentious sound that sustains repeated listens.\r\n\r\nTracks like “Doctor My Eyes” (a steady-grooved opener), “Late for the Sky” (an extended reflective piece), “Fountain of Sorrow”, “The Pretender”, “Love Needs a Heart”, “My Opening Farewell”, “Somebody’s Baby”, and more delve into Browne’s themes of love, loss, and self-examination. Shelton’s renditions remain faithful, with vocal harmonies providing key emotional lift, as noted in reviews for sustaining the album’s pleasure without overinterpretation.\r\n\r\nShelton anchors the project on lead vocals and acoustic guitar, delivering nuanced performances that highlight his interpretive skills. The ensemble includes session musicians contributing to harmonies, bass, drums, keyboards, and additional guitars—creating tight, supportive arrangements focused on the material. Vocal harmonies stand out as a production strength, adding richness without overpowering the core melodies.\r\n\r\nReviews commend the straightforward approach and listenable quality, with Shelton’s diligence in honoring Browne’s legacy. As a Dry Lightning debut for Shelton, it signals his artistic pivot, appealing to fans of singer-songwriter tributes and roots-infused covers.","brand":"Dry Lightning Records","offers":[{"title":"Default Title","offer_id":52214980182309,"sku":"880259050229","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/JBRevisited.webp?v=1776119561"},{"product_id":"silver-bullet-bluegrass-silver-bullet-bluegrass-cd","title":"Silver Bullet Bluegrass - Silver Bullet Bluegrass (CD)","description":"Silver Bullet Bluegrass is an all-star tribute to Bob Seger featuring 13 tracks from some of the best Bluesgrass artist's and musician's in the business!","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52214983360805,"sku":"020286248323","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/SilverBulletBlegrass.jpg?v=1776119629"},{"product_id":"girls-guns-and-glory-good-luck-cd","title":"Girls Guns and Glory - Good Luck (CD)","description":"The album Good Luck, released on February 4, 2014, on Lonesome Day Records (LDR-040), captures Girls Guns \u0026amp; Glory—the Boston-based roots-rock\/country band led by singer-songwriter Ward Hayden—at a creative peak, blending gritty honky-tonk, ‘50s rockabilly, and Americana soul across 10 tracks totaling about 35 minutes. Shifting toward more electric, band-driven energy from prior retro-country vibes, it explores love, protest, resilience, and life’s underbelly with punchy hooks, dynamic builds, and Hayden’s versatile vocals echoing influences like Steve Earle and Waylon Jennings.\r\n\r\nProduced by Eric “Roscoe” Ambel (The Bottle Rockets, Steve Earle), with engineering by Mario Viele at Cowboy Technical Services in Brooklyn, NY, and mixing by Ambel, the album delivers a raw, analog warmth with live-room punch, crisp guitars, and rhythmic drive—prioritizing organic chemistry over polish for an authentic, road-worn feel.\r\n\r\nStandout moments include the soaring opener “All The Way Up To Heaven” (co-written by Jimmy Ryan and Ward Hayden), the upbeat rocker “Be Your Man”, the narrative grit of “Centralia, PA”, the lively shuffle “C’mon Honey”, the high-energy “Built For Speed”, and the acoustic-to-full-band swell of “Rockin’ Chair Money”—blending shakers, story songs, and introspective pieces for engaging flow.\r\n\r\nThe core ensemble fuels the sound: Ward Hayden on lead vocals, acoustic\/electric guitars (primary songwriter); Chris Hersch on lead guitar, backing vocals; Paul Dilley on electric bass, piano, electric upright bass, backing vocals; Josh Kiggans on drums, percussion—delivering tight, spirited interplay with Ambel’s production enhancing their live edge.\r\n\r\nCritically hailed as the band’s finest, Good Luck earned praise from Country Standard Time for entertaining propulsion and songcraft; Red Line Roots spotlighted “Rockin’ Chair Money”’s emotional arc; and Americana Music Association rankings affirmed its roots impact. As a Lonesome Day highlight, it showcases evolution with enduring vitality.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52214985457957,"sku":"880259004024","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/GoodLuck.jpg?v=1776119691"},{"product_id":"steve-gulley-sounds-like-home-cd","title":"Steve Gulley - Sounds Like Home (CD)","description":"Bluegrass","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52214988046629,"sku":"880259001023","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/steve_gulley.jpg?v=1776119747"},{"product_id":"blue-moon-rising-on-the-rise-cd","title":"Blue Moon Rising - On The Rise (CD)","description":"The album On the Rise, released in 2005 on Lonesome Day Records (LDR 007), launched Blue Moon Rising—an emerging East Tennessee bluegrass band—into prominence with their debut full-length project. This 13-track collection, approximately 39-40 minutes long, showcases high-energy traditional bluegrass driven by strong original songwriting, tight vocal harmonies, and precise instrumental work that propelled the group onto year-end best-of lists and the Billboard Top Bluegrass Albums chart (debuting at #14).\r\n\r\nProduced by Randall Deaton and Ron Stewart, the album was recorded at Lonesome Day Studio in Booneville, Kentucky, and mixed by Ron Stewart. The production delivers a vibrant, rootsy acoustic sound with excellent clarity, dynamic picking, and authentic energy—capturing the band’s youthful momentum and traditional spirit in a clean yet unpolished style characteristic of the label.\r\n\r\nThe tracklist features standout originals like “This Old Martin Box” (2:41), a lively ode to a cherished guitar; “Papaw Taught Me” (2:19), honoring family legacy; “The Next Big Thing” (2:55); “The Crime I’m Guilty Of”(2:59); “Cold Kentucky Rain”; “Big Wheels Turnin’” (a high-octane driver frequently praised for its drive); “I Keep Calling”; “Poor Boy Workin’ Blues”; and more, blending fast-paced pickers, story songs, and reflective pieces on love, hard work, and rural life.\r\n\r\nBlue Moon Rising’s core lineup powers the album: Chris West and Keith Garrett on lead vocals (with Keith Garrett also handling mandolin), Justin Jenkins (banjo), Tim Tipton (bass), Randall Massengill (guitar), and Ron Stewart (fiddle on tracks 2, 5, 7, 8, 10, 11, 13)—delivering fluid rolls, tasteful fills, soaring harmonies, and seamless ensemble interplay that gives the material its infectious lift.\r\n\r\nCritically and commercially, On the Rise marked a true breakthrough, earning spots in CMT.com’s Top 10 Bluegrass Albums and GRITZ Magazine’s Top Overall Albums of 2005. It was described as a “fitting title” for the fresh, up-and-coming band, celebrated for its energy, appeal, and role in putting Blue Moon Rising on the national map. As a Lonesome Day Records highlight, it endures as an exciting showcase of emerging talent rooted in classic bluegrass tradition with forward momentum.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52214989226277,"sku":"880259000729","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/OnTheRise.jpg?v=1776119776"},{"product_id":"darrell-webb-behind-the-scenes-cd","title":"Darrell Webb - Behind The Scenes (CD)","description":"“Behind the Scenes,” Darrell Webb’s second solo album, showcases his multifaceted talents as a multi-instrumentalist, singer, and songwriter in the bluegrass genre. Released on April 12, 2005, by Lonesome Day Records (catalog LDR006), the 12-track project spans 37 minutes and was recorded primarily in the years leading up to its launch, following Webb’s tenure with J.D. Crowe and the New South. This timeframe reflects Webb’s transition from sideman roles—touring with Crowe, contributing to Wildfire, and sessions for artists like Dolly Parton and Phil Leadbetter—to a confident solo artist delivering a clean, streamlined sound influenced by traditional bluegrass masters.\r\n\r\nThe album was co-produced by Darrell Webb, Randall Deaton, Ron Stewart, and Shawn Brock, with engineering handled by Deaton and Stewart. Mixing and mastering were expertly done by Stewart, ensuring a dynamic, unified polish that avoids flash in favor of tasteful arrangements. Recording took place at Lonesome Day Studio and Stage Right Studio (for track 3), with overdubs at The Sleepy Valley Barn and Slackkey Studio. Mastering and mixing occurred at The Sleepy Valley Barn and Lonesome Day Studio, creating an intimate yet professional acoustic landscape.\r\n\r\nMusically, Webb leads on mandolin and lead vocals across all tracks, with additional guitar on several. Ron Stewart shines as a secret weapon on banjo (all tracks), fiddle (multiple), bass (track 3), and guitar (select), bringing rare touch and versatility. Bass duties are shared by Harold Nixon (most tracks) and Beth Lawrence (tracks 4,7). Fiddle contributions come from Michael Cleveland (tracks 5,6,8,11), Angela Oudean (track 3), and Stewart. Guitarists include Richard Bennett (tracks 2,4,6), Megan McCormick (track 3), and Webb. Resonator guitar (Dobro) is provided by Phil Leadbetter (tracks 4,5,7,10,11). Harmony vocals enrich the project: tenor from Dwight McCall (tracks 2,8,9), Keisha Gillis (track 3), Randy Kohrs (track 5), and Webb; baritone from Shannon Slaughter (multiple), Webb, Stewart, and Becky Sparks (high on track 7). Guest Dolly Parton duets on her own “Cold,” appearing courtesy of Blue Eye Records.\r\n\r\nThe repertoire blends four Webb originals like the title track (co-written with Jeff Barbra) and “Get On The Path” (with Amanda Webb) with covers such as A.P. Carter’s “Lover’s Lane” and Eric Anderson’s “Close The Door Lightly.” Critically, Country Standard Time praises the album’s confident, uncluttered modern bluegrass, highlighting Webb’s crisp mandolin, clear vocals, and smart song choices. Reviewer notes Stewart’s exceptional fiddle and banjo, the stellar cast including Parton, Kohrs, Cleveland, McCall, Bennett, and Leadbetter, and the dynamic unity, calling it a strong showcase of Webb’s versatility beyond “behind the scenes” roles.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52214990733605,"sku":"880259000620","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/BehindTheScenes.jpg?v=1776119811"},{"product_id":"lou-reid-carolina-time-cd","title":"Lou Reid \u0026 Carolina - Time (CD)","description":"The album Time, released in 2005 on Lonesome Day Records, marks a standout chapter for Lou Reid \u0026amp; Carolina, blending the band’s deep-rooted bluegrass heritage with refined production values and notable guest contributions. Produced by Randall Deaton at Lonesome Day Studio in Booneville, Kentucky, the project delivers a warm, crisp acoustic sound that balances traditional high-lonesome textures with subtle contemporary polish—clear separation of instruments, tight ensemble playing, and emotive vocal mixes that let the harmonies shine without overpowering the storytelling.\r\n\r\nAt the heart of the 13-track, roughly 44-minute album is the title track “Time” (3:22), a reflective meditation on life’s transience, regret, and the value of moments. This song gained particular acclaim, reaching #1 on Bluegrass Unlimited’s chart and featuring stunning guest harmonies from Vince Gill and Ricky Skaggs alongside Lou Reid’s lead vocals. Their contributions add layers of rich, soaring tenor and baritone depth, elevating the track’s emotional resonance and underscoring Reid’s connections within the bluegrass and country worlds (from his time with The Seldom Scene, Ricky Skaggs, and Vince Gill’s bands). Other high-profile guests, including Jerry Douglas on Dobro, further enhance select cuts with tasteful, understated fills that complement rather than dominate the core band sound.\r\n\r\nThe core lineup of Lou Reid \u0026amp; Carolina handles the bulk of instrumentation and vocals with precision: Lou Reid on guitar and lead vocals, supported by band members delivering expert mandolin, fiddle, banjo, bass, and harmony work—creating seamless, driving grooves on upbeat numbers and tender support on ballads. Standouts include the poignant opener “My Dying Day” (3:35), the melancholic “Brighter Shade of Blue” (2:29), the lively “Forever Ain’t No Trouble Now” (3:33), and the scenic “Tennessee Backroads” (2:56), all showcasing the production’s focus on organic flow, dynamic builds, and authentic bluegrass energy.\r\n\r\nTime stands as a mature, cohesive statement from the band, emphasizing heartfelt original material, impeccable musicianship, and strategic guest spots that amplify its themes of legacy, love, and the passage of years. The clean yet soulful production helps it endure as a highlight in the Lonesome Day catalog, appealing to fans of classic and progressive bluegrass alike.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52214993027365,"sku":"880259000927","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/Time.jpg?v=1776119846"},{"product_id":"jeff-parker-tinderbox-cd","title":"Jeff Parker - Tinderbox (CD)","description":"The album Tinderbox, released in 2008 on Lonesome Day Records (LDR 014), stands as a landmark release for Fred Eaglesmith—the prolific Canadian singer-songwriter renowned for his raw, rural-rooted alt-country and folk style. This 18-track collection, approximately 49 minutes long, delivers a masterful blend of gritty storytelling, swampy grooves, spiritual undercurrents, and back-porch introspection, widely regarded as one of his finest works for its emotional depth, musical cohesion, and unflinching honesty.\r\n\r\nProduced by Fred Eaglesmith himself, with mixing and editing by Scott Merritt and mastering by Andy Krehm, the album was crafted with a warm, organic production that emphasizes acoustic textures, eerie organ swells, disjointed rhythms, and Eaglesmith’s distinctive nasal tenor—creating an intimate yet expansive sound that feels lived-in and unpretentious. Graphics coordination by Kori Heppner and layout by Glen Davis add to its understated aesthetic.\r\n\r\nThe material centers on characters living on society’s margins—backsliders, sinners, hard workers, and seekers—with themes of redemption, doubt, labor, and quiet faith woven through vivid narratives. Standouts include the earthy opener “Sweet Corn”, the driving “Chain Gang”, the co-write “Shoulder To The Plow” (with Mary Gauthier), the reflective “Quietly”, the brooding title track “Tinderbox”, the spiritual-tinged “Killing Me”, the gritty “Worked Up A Field”, the prayerful “I Pray Now”, the cautionary “You Can’t Trust Them”, the swampy centerpiece “Get On Your Knees”(dancing with preachers, devils, and sinners), and the closing “Fancy God”, among others that build a cohesive portrait of hardscrabble lives.\r\n\r\nEaglesmith leads on vocals, guitar, and songwriting (with select co-writes), supported by a tight circle of collaborators including Luke Stackhouse, Matt Simpson, Willie P. Bennett, and others contributing to the ensemble’s raw authenticity—delivering fluid instrumentation that ranges from sparse acoustic to fuller, atmospheric arrangements.\r\n\r\nCritically acclaimed as a masterwork (noted in Rolling Stone and Americana charts as a Top 20 release with lasting radio presence), Tinderbox showcases Eaglesmith’s songcraft at its peak, blending folk-country traditions with personal edge. As a Lonesome Day Records highlight, it endures for its unflinching honesty and musical warmth, appealing to fans of rootsy, narrative-driven Americana.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215023665445,"sku":"880259001429","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/Tinderbox-1.jpg?v=1776120409"},{"product_id":"shotgun-holler-loaded-cd","title":"Shotgun Holler - Loaded (CD)","description":"The album Loaded, released in 2015 on the Lonesome Day Records imprint Dry Lightning Records, marks the debut full-length from Shotgun Holler—a dynamic bluegrass supergroup blending traditional drive with modern edge. This 11-track project, approximately 40 minutes long, features the band’s innovative take on the genre, mixing high-lonesome classics, originals, and contemporary flair through strong vocals, tight picking, and fresh arrangements that earned radio play and critical nods. This record led to the band making an appearance on national television on the Josh Wolf Show.\r\n\r\nProduced by Jim Van Cleve (Mountain Heart founder) at Lonesome Day Studios in Booneville, Kentucky, with engineering by Greg Lawrence and mixing by Van Cleve, Shawn Brock, and Matt Jones, the album delivers a vibrant, crisp acoustic sound with excellent separation, driving rhythms, and vocal harmonies—balancing roots authenticity and progressive energy.\r\n\r\nStandouts include the upbeat “Out in the Parking Lot”, the gospel-tinged “I Hope Heaven Has A Holler”, the traditional “My Bucket’s Got A Hole In It”, the intense “Methamphetamine”, “Clovis Johnson’s Old Red GMC”, and others that showcase originals by guitarist\/lead vocalist Matt Jonesalongside reinterpretations, creating a cohesive set of story songs, fast pickers, and reflective pieces.\r\n\r\nThe core lineup powers the sound: Matt Jones on guitar and lead vocals, Shawn Brock on mandolin and harmony vocals, Aaron Ramsey on bass, Russ Carson on banjo, and Gil Benson on fiddle—delivering precise rolls, fluid melodies, solid foundation, and layered singing that give the material its infectious lift.\r\n\r\nAs a Dry Lightning debut, Loaded put Shotgun Holler on the map, praised for its strong songcraft, production values, and blend of tradition with innovation. It remains a standout in the Lonesome Day\/Dry Lightning catalog, appealing to fans of contemporary bluegrass with heart and edge.","brand":"Dry Lightning Records","offers":[{"title":"Default Title","offer_id":52215026057509,"sku":"880259050328","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/Loaded.jpg?v=1776120458"},{"product_id":"richard-bennett-in-the-wind-somewhere-cd","title":"Richard Bennett - In The Wind Somewhere (CD)","description":"Bluegrass, Singer\/Songwriter, Contemporary","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215027302693,"sku":"880259004123","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/InTheWindSomewhere.jpg?v=1776120477"},{"product_id":"randy-kohrs-im-torn-cd","title":"Randy Kohrs - I'm Torn (CD)","description":"Bluegrass","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215028089125,"sku":"880259000521","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/randy_kohrs_torn.jpg?v=1776120495"},{"product_id":"larry-cordle-took-down-and-put-up-cd","title":"Larry Cordle - Took Down and Put Up (CD)","description":"Bluegrass","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215036182821,"sku":"880259001122","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/larry_cordle_tookdown.jpg?v=1776120632"},{"product_id":"julie-neumark-dimestore-halo-cd","title":"Julie Neumark - Dimestore Halo (CD)","description":"With Dimestore Halo, Los Angeles singer\/songwriter Julie Neumark delivers a debut full-length album filled with passion, fury, sadness and triumph. Growing up in Cincinnati, the songstress moved to Los Angeles after studying music at Indiana University but found her passion after performing several shows in and around Los Angeles. While recording Dimestore Halo, Neumark toured the Midwest and is nurturing that region with return dates. She has also toured Holland twice, supporting Beth Hart on dates throughout the country. Dimestore Halo was first released in Europe to critical acclaim in 2009. Highlights on the album include \"Dimestore Halo,\" \"Spare Change\" and \"Fairytale.\"","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215038083365,"sku":"880259001627","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/DimestoreHalo.jpg?v=1776120674"},{"product_id":"girls-guns-and-glory-inverted-valentine-cd","title":"Girls Guns and Glory - Inverted Valentine (CD)","description":"The album Inverted Valentine, initially self-released by the band in 2008 and later re-issued in 2009 on Lonesome Day Records (LDR-015), captures Girls Guns \u0026amp; Glory—the Boston-based roots-rock\/country ensemble fronted by singer-songwriter Ward Hayden—in a dynamic fusion of honky-tonk swagger, rockabilly punch, classic country twang, and Americana introspection across 11 tracks totaling about 41 minutes. Drawing from influences like Hank Williams, Chuck Berry, and Waylon Jennings, the album explores themes of twisted romance, road-worn resilience, and unrequited longing through energetic shuffles, mid-tempo grooves, and brooding ballads that highlight the band’s barroom vitality and melodic craftsmanship.\r\n\r\nProduced by Rob Loyot at Noise In The Attic in Scituate, MA—with engineering by Dan Farwell, Rob Loyot, and Sean McLaughlin—the project lists Ward Hayden as executive producer. Mixing was handled by Adam Taylor at Camp Street Studios (assisted by Alex Hartman), while mastering was done by Jeff Lipton at Peerless Mastering (assisted by Maria Rice)—resulting in a lively, retro-modern production that amplifies raw instrumentation, layered textures, and organic energy without over-polishing the roots-rock essence.\r\n\r\nStandout cuts include the propulsive opener “Six Sixty Seven”, the title track “Inverted Valentine”‘s melancholic depth, the rollicking “Ramblin’ Ole Daddy”, the seductive “Temptation”, and the heartfelt “Keep On Calling”, blending fast-paced drivers with reflective narratives for a cohesive, engaging flow.\r\n\r\nThe core musicians drive the album’s sound: Ward Hayden on rhythm acoustic guitar and lead vocals (primary songwriter); Colt Thompson on lead\/rhythm electric guitar and backing vocals; Bruce “iv” Beagley on bass; John Graham (AKA Johnny Surprises) on drum kit and backing vocals. Guest contributors add rich layers: Dinty Child on accordion (tracks 4,10), fiddle (4), and mandocello (11); Chuck Fisher on electric guitar (tracks 3-5,9,10), acoustic guitar (6,10), and flamenco guitar (5); Matt Pynn on lap steel guitar (1), pedal steel guitar (4,8), and resonator guitar (4); Rob Loyot on backing vocals (1,7), congas (3,5,10,11), percussion like basket \u0026amp; broom (6,11), tambourine (2,3), and rattles (5); Colin Toomey on electric guitar (2); Jeff Calder on piano (8) and orchestra elements (7); Garret Savluk on trumpet (5). This ensemble, blending core band chemistry with guest flair, creates a textured, spirited backdrop that elevates the material’s emotional and rhythmic punch.\r\n\r\nCritically acclaimed as a Top Ten Americana album in 2009, Inverted Valentine was praised for its authentic vigor and homage to vintage styles, boosting the band’s profile in the roots scene. As a Lonesome Day re-issue, it bridges classic country-rock traditions with the group’s fresh momentum, enduring as a fan-favorite.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215039525157,"sku":"880259001528","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/InvertedValentine.jpg?v=1776120702"},{"product_id":"wildfire-crash-course-in-the-blues-cd","title":"Wildfire - Crash Course In The Blues (CD)","description":"“Crash Course in the Blues,” the fourth studio album by bluegrass band Wildfire, delivers a high-energy mix of traditional bluegrass, honky-tonk country, and heartfelt ballads, showcasing the group’s tight musicianship and genre-blending prowess. Released in 2010 by Lonesome Day Records (catalog LDR-034), the album was recorded in the preceding period, marking a decade since the band’s formation in 2000. This effort earned recognition as the Cascade Blues Association’s entry in The Blues Foundation’s Best Self-Produced CD competition in 2017, highlighting its authentic, band-driven sound. Executive-produced by label head Randall Deaton, with audio engineering and producing done by Steve Thomas, the project emphasizes a clean, vibrant acoustic mix that captures the ensemble’s live intensity.\r\n\r\nThe 12-track album (approximately 39 minutes) features core members: Robert Hale on lead vocals and guitar, delivering sensitive yet sturdy performances with a classic rock edge; Curt Chapman on bass, providing solid rhythmic foundation; Johnny Lewis on banjo, with driving rolls; Steve Thomas on mandolin and fiddle, adding blazing solos and vocals; and Matt Despain on Dobro and vocals, contributing resonant tones. Guest Scott Vestal appears on banjo for the title track.\r\n\r\nThe repertoire balances originals and covers: Hale’s “Lies That You Told” (hard-edged) and “In This Town” (mellow); Steve Wariner’s title track “Crash Course in the Blues,” exploring life’s troubles; Bill Howard’s “She Burnt the Little Roadside Tavern Down,” a honky-tonk favorite; Tracy Lawrence’s “Used to the Pain”; Lionel Richie’s “Oh No”; Keith Whitley’s “Daddy Loved Trains,” rendered wistfully; Vince Gill’s “I Wanna Know Your Name” (boogie beat) and “Lifetime of Nighttime” (ballad about blindness); traditional “Paint This Town” (hard-driving); and gospel “When He Reached Down His Hand for Me,” infused with country soul. Additional tracks include “21 Years” and others rounding out the set.\r\n\r\nCritically, the album received strong praise for its emotional range and execution. The Lonesome Road Review rated it 4\/5, lauding Hale’s vocals and the band’s versatility in crossing bluegrass with honky-tonk and gospel. Folk \u0026amp; Acoustic Music Exchange called it “sterling top-notch bluegrass,” highlighting the fiery playing and Hale’s “hoots-n-hollows” pipes. Overall, “Crash Course in the Blues” solidifies Wildfire’s reputation for powerful, emotive roots music that appeals to traditional and contemporary fans alike.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215043719461,"sku":"880259003423","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/CrashCourseInTheBlues.webp?v=1776120794"},{"product_id":"ralph-stanley-ii-this-one-is-two-cd","title":"Ralph Stanley II - This One Is Two (CD)","description":"\"This One Is Two,\" the fifth solo album by Ralph Stanley II, represents a bold stylistic shift toward honky-tonk country while retaining bluegrass roots. Released on September 23, 2008, by Lonesome Day Records (catalog LDR-013), it followed a six-year hiatus from his previous solo work, allowing Stanley's voice to mature into a deeper, resonant baritone suited to the material. The project was executive-produced by Randall Deaton, with Mike (Michael) Latterell credited as producer, audio engineer, and mixer—initially hired only as engineer but evolving into a key production role that delivered the album's crisp, polished sound. Recording occurred at Lonesome Day Records and The Peaceway Temple facilities. Mastering was handled by Hank Williams at Mastermix in Nashville, providing professional clarity and emotional punch.\r\n\r\nMusically, the 11-track album (approximately 35 minutes) features no drums or pedal steel, emphasizing traditional acoustic instrumentation for a straightforward honky-tonk feel. Ralph Stanley II provides rhythm guitar and lead vocals throughout. Guitar work is shared by Cody Kilby and Tim Crouch (who also adds evocative fiddle). Adam Steffey delivers precise mandolin, Ron Stewart supplies dynamic banjo, Harold Nixon offers solid bass, and Randy Kohrs contributes resonant Dobro\/resophonic guitar. Harmony vocals shine with contributions from Dale Ann Bradley, Darrin Vincent, Jim Lauderdale (dueting on \"L.A. County\"), Marty Raybon, and Steve Gulley, creating rich, layered support.\r\n\r\nThe repertoire includes nine covers from songwriters like Garth Brooks, Lyle Lovett, Townes Van Zandt, Elton John, and Tom T. Hall, plus two co-written originals (\"Honky Tonk Way\" and \"Lord Help Me Find the Way\"). Standouts include the poignant Fred Eaglesmith cover \"Carter\" and sentimental bluegrass ballad \"Moms Are the Reason Wild Flowers Grow.\"\r\n\r\nCritically acclaimed for bridging genres authentically, the album earned praise for its musicianship and production. AllMusic reviewer j. poet lauded Stanley's gruff, sincere vocals, Kohrs' sobbing Dobro, Steffey's mandolin, and the band's understated picking, noting how tracks like \"L.A. County\" intensify emotional depth without clichés. Bluegrass Today highlighted the \"appealing\" music's broad draw, crediting Latterell's engineering for sparkle and cohesion. Reviews called it Stanley's best to date, appreciating the slick yet heartfelt sound and strong song choices. Overall, \"This One Is Two\" showcases superior ensemble work, emotionally charged performances, and thoughtful production, marking significant artistic growth for Ralph Stanley II in roots music.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215046242597,"sku":"880259001320","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/ThisOneIsTwo.webp?v=1776120843"},{"product_id":"various-artists-the-very-things-you-treasure-cd","title":"Various Artists - The Very Things You Treasure (CD)","description":"The compilation album The Very Things You Treasure: 24 Bluegrass Songs of Faith \u0026amp; Family, released in 2010 on Lonesome Day Records (LDR-CD 017), is a single-disc collection of 24 tracks, approximately 76 minutes long, celebrating bluegrass gospel and family values with the label’s signature high-lonesome harmonies, heartfelt lyrics, and acoustic warmth.\r\n\r\nThis release is inspired by the Deaton family’s profound commitment to faith and family. Minnie Mae Deaton, born in 1932 on a rural southeastern Kentucky farm, passed away in 1992, leaving a legacy of devotion that included bequeathing her church to her youngest grandson, Randall Deaton, with the dream of keeping its spirit alive. In 1999, the family converted the church into a recording studio to produce bluegrass music reflecting Minnie Mae’s cherished ideals of faith and family. Randall founded Lonesome Day Records in 2002 to carry forward that heritage. Minnie Mae’s son Fred passed in 2006 after a long battle with cancer, his final words (“I’ve seen everything I want to see. I just want to be right here with my family”) and his wife Pauline’s ongoing support (handling bookkeeping, mailing CDs, cooking for artists) symbolizing the family’s enduring hospitality and dedication, with Pauline’s kitchen remaining open to all.\r\n\r\nFeaturing artists such as Ralph Stanley II (“Moms Are The Reason Wild Flowers Grow”), Blue Moon Rising (“Papaw Taught Me,” “He Arose”), Darrell Webb (“Thank You Father for My Dad”), Lou Reid \u0026amp; Carolina, Larry Cordle, Randy Kohrs, Jeff Parker, Steve Gulley, Rick Bartley, Ernie Thacker, Sam Wilson, and others, the tracks include gospel standards, family tributes, and uplifting originals that echo everyday expressions of faith and kinship.\r\n\r\nAs a dedication to those values and a sampler of Lonesome Day’s mission, the album has been praised for its meaningful content and strong performances, remaining a cherished reminder that the things that matter most come down to faith and family.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215047979301,"sku":"880259001726","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/TVTYT.jpg?v=1776120884"},{"product_id":"jeff-parker-go-parker-cd","title":"Jeff Parker - Go Parker! (CD)","description":"“Go Parker!,” the second solo album by bluegrass mandolinist and vocalist Jeff Parker, showcases his versatile singing across traditional bluegrass, country, and pop influences. Released on July 10, 2012, by Lonesome Day Records (catalog LDR-038), it followed Parker’s tenure with Lonesome River Band and his role in Dailey \u0026amp; Vincent, marking a return to solo work after his 2004 album “Two Roads to Travel.” Recording occurred at the Lonesome Day studio in early 2012, capturing Parker’s soulful, expressive vocals honed from years on the road.\r\n\r\nThe project was produced, engineered, and mixed by Randall Deaton, delivering a clean, vibrant sound that highlights acoustic instrumentation with occasional drums for a country edge. The album was mastered by Mike Latterell, ensuring a balanced, radio-ready polish.\r\n\r\nMusically, the 12-track album (31 minutes) features Parker on mandolin and lead vocals throughout, blending heartfelt ballads and uptempo numbers. Guitar is provided by Stephen Mougin, offering solid rhythm and leads. Banjo duties are shared by Ned Luberecki, Ron Stewart, and Cia Cherryholmes, who also contributes lead and harmony vocals on a duet. Ron Stewart adds dynamic fiddle work, while Mike Bub anchors on bass. Darrin Vincent supplies bass and harmony vocals on select tracks, enriching the trio sound. Drums were played by Shawn Brock, adding subtle drive to certain cuts and enhancing the crossover appeal without overpowering the bluegrass core. Harmony vocals from the ensemble create rich, emotive layers, supporting themes of love, loss, and rural life.\r\n\r\nThe song selection includes originals and covers, such as the poignant “Lord I Hate to See My Darlin’ Go,” the lively “Cold Rails,” and pop-infused “It’s Gonna Take a Miracle.” Standouts like “Sweet Mary” and “Plant Some Flowers by My Graveside” demonstrate Parker’s range, from tender crooning to powerful delivery.\r\n\r\nCritically, “Go Parker!” was anticipated as a potential breakout, with Bluegrass Today praising its potential as “the next really big album of 2012” for Parker’s wide vocal range spanning genres. Listener reviews on Amazon echoed this, calling it a “great job” with highly recommended material, noting Parker’s prowess as both musician and singer. Overall, the album highlights top-tier bluegrass talent, emotional depth, and seamless production, solidifying Parker’s reputation in roots music while appealing to broad audiences.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215446176037,"sku":"880259003829","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/GoParker.webp?v=1776128996"},{"product_id":"sarah-borges-good-and-dirty-cd","title":"Sarah Borges - Good and Dirty (CD)","description":"The album Good and Dirty, released on March 4, 2016, on the Lonesome Day Records imprint Dry Lightning Records (DLR 505), marks the first release with Lonesome Day\/Dry Lightning for Sarah Borges—the Massachusetts-based roots-rock\/Americana artist known for her commanding, soulful vocals and sharp, no-nonsense songwriting. This six-song record, clocking in at around 20 minutes, delivers gritty, hook-laden rock with country-blues edges, swaggering rhythms, and raw emotional honesty—exploring desire, inner turmoil, road-life entanglements, and resilient connection in a concise, high-impact package.\r\n\r\nProduced by Eric “Roscoe” Ambel (Steve Earle, The Bottle Rockets), with engineering by Mario Viele (and additional tracking by Tim Hatfield in some credits), the EP features a lean, live-wire production that emphasizes electric bite, driving drums, and Borges’ powerhouse delivery—achieving a raw, analog warmth with clear separation and band chemistry that feels immediate and unfiltered.\r\n\r\nThe tracks include the fiery “Tendency to Riot” (a high-octane rocker on bottled-up energy and release), the moody, rain-drenched “Caught By The Rain” (a vulnerable reflection on being overwhelmed), the witty, biting “Band Girlfriend” (a clever nod to the realities of life on tour), the optimistic “Lucky Us” (celebrating flawed but enduring bonds), “Purple GTO” (a gritty, revved-up number), and “House on a Hill” (a brooding closer in select pressings)—blending upbeat drives, atmospheric ballads, and storytelling punch for a tight, satisfying listen.\r\n\r\nBorges leads on vocals and guitar, supported by a top-tier ensemble including Eric “Roscoe” Ambel on guitar and keyboards (adding textural edge and production finesse), along with her regular collaborators from The Broken Singles or session players providing tight rhythm section, backing vocals, and instrumental spark that amplify the record’s roots-rock intensity.\r\n\r\nCritically, Good and Dirty was praised for its concise power and Borges’ unflinching presence, with Ambel’s production lauded as an ideal match for her style—delivering propulsive, entertaining tracks that highlight her artistic growth. As the debut on Lonesome Day\/Dry Lightning, it bridges her prior work and sets the stage for further label collaborations, enduring as a spirited, no-frills gem in her catalog for fans of tough, heartfelt Americana.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215447224613,"sku":"880259050526","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/GoodAndDirty.jpg?v=1776129032"},{"product_id":"fred-eaglesmith-tinderbox-hand-signed-and-numbered-vinyl","title":"Fred Eaglesmith - Tinderbox Hand-signed and numbered (Vinyl)","description":"The album Tinderbox, released in 2008 on Lonesome Day Records (LDR 014), stands as a landmark release for Fred Eaglesmith—the prolific Canadian singer-songwriter renowned for his raw, rural-rooted alt-country and folk style. This 18-track collection, approximately 49 minutes long, delivers a masterful blend of gritty storytelling, swampy grooves, spiritual undercurrents, and back-porch introspection, widely regarded as one of his finest works for its emotional depth, musical cohesion, and unflinching honesty.\r\n\r\nProduced by Fred Eaglesmith himself, with mixing and editing by Scott Merritt and mastering by Andy Krehm, the album was crafted with a warm, organic production that emphasizes acoustic textures, eerie organ swells, disjointed rhythms, and Eaglesmith’s distinctive nasal tenor—creating an intimate yet expansive sound that feels lived-in and unpretentious. Graphics coordination by Kori Heppner and layout by Glen Davis add to its understated aesthetic.\r\n\r\nThe material centers on characters living on society’s margins—backsliders, sinners, hard workers, and seekers—with themes of redemption, doubt, labor, and quiet faith woven through vivid narratives. Standouts include the earthy opener “Sweet Corn”, the driving “Chain Gang”, the co-write “Shoulder To The Plow” (with Mary Gauthier), the reflective “Quietly”, the brooding title track “Tinderbox”, the spiritual-tinged “Killing Me”, the gritty “Worked Up A Field”, the prayerful “I Pray Now”, the cautionary “You Can’t Trust Them”, the swampy centerpiece “Get On Your Knees”(dancing with preachers, devils, and sinners), and the closing “Fancy God”, among others that build a cohesive portrait of hardscrabble lives.\r\n\r\nEaglesmith leads on vocals, guitar, and songwriting (with select co-writes), supported by a tight circle of collaborators including Luke Stackhouse, Matt Simpson, Willie P. Bennett, and others contributing to the ensemble’s raw authenticity—delivering fluid instrumentation that ranges from sparse acoustic to fuller, atmospheric arrangements.\r\n\r\nCritically acclaimed as a masterwork (noted in Rolling Stone and Americana charts as a Top 20 release with lasting radio presence), Tinderbox showcases Eaglesmith’s songcraft at its peak, blending folk-country traditions with personal edge. As a Lonesome Day Records highlight, it endures for its unflinching honesty and musical warmth, appealing to fans of rootsy, narrative-driven Americana.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215452336421,"sku":"880259001412","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/Tinderbox61Jtl1WyFcL._SL1200.jpg?v=1776129208"},{"product_id":"girls-guns-and-glory-good-luck-vinyl","title":"Girls Guns and Glory - Good Luck (Vinyl)","description":"The album Good Luck, released on February 4, 2014, on Lonesome Day Records (LDR-040), captures Girls Guns \u0026amp; Glory—the Boston-based roots-rock\/country band led by singer-songwriter Ward Hayden—at a creative peak, blending gritty honky-tonk, ‘50s rockabilly, and Americana soul across 10 tracks totaling about 35 minutes. Shifting toward more electric, band-driven energy from prior retro-country vibes, it explores love, protest, resilience, and life’s underbelly with punchy hooks, dynamic builds, and Hayden’s versatile vocals echoing influences like Steve Earle and Waylon Jennings.\r\n\r\nProduced by Eric “Roscoe” Ambel (The Bottle Rockets, Steve Earle), with engineering by Mario Viele at Cowboy Technical Services in Brooklyn, NY, and mixing by Ambel, the album delivers a raw, analog warmth with live-room punch, crisp guitars, and rhythmic drive—prioritizing organic chemistry over polish for an authentic, road-worn feel.\r\n\r\nStandout moments include the soaring opener “All The Way Up To Heaven” (co-written by Jimmy Ryan and Ward Hayden), the upbeat rocker “Be Your Man”, the narrative grit of “Centralia, PA”, the lively shuffle “C’mon Honey”, the high-energy “Built For Speed”, and the acoustic-to-full-band swell of “Rockin’ Chair Money”—blending shakers, story songs, and introspective pieces for engaging flow.\r\n\r\nThe core ensemble fuels the sound: Ward Hayden on lead vocals, acoustic\/electric guitars (primary songwriter); Chris Hersch on lead guitar, backing vocals; Paul Dilley on electric bass, piano, electric upright bass, backing vocals; Josh Kiggans on drums, percussion—delivering tight, spirited interplay with Ambel’s production enhancing their live edge.\r\n\r\nCritically hailed as the band’s finest, Good Luck earned praise from Country Standard Time for entertaining propulsion and songcraft; Red Line Roots spotlighted “Rockin’ Chair Money”’s emotional arc; and Americana Music Association rankings affirmed its roots impact. As a Lonesome Day highlight, it showcases evolution with enduring vitality.","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215453876517,"sku":"880259004017","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/GoodLuck-1.jpg?v=1776129244"},{"product_id":"silver-bullet-bluegrass-silver-bullet-bluegrass-vinyl","title":"Silver Bullet Bluegrass - Silver Bullet Bluegrass (Vinyl)","description":"Silver Bullet Bluegrass is an all-star tribute to Bob Seger featuring 13 tracks from some of the best Bluegrass artists and musicians in the business!","brand":"Lonesome Day Records","offers":[{"title":"Default Title","offer_id":52215454236965,"sku":"020286248330","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/files\/SilverBulletBlegrass-1.jpg?v=1776129255"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/1250\/3845\/collections\/LonesomeDayRecords.jpg?v=1776129575","url":"https:\/\/store.spinneymedia.com\/collections\/lonesome-day-records.oembed?page=2","provider":"Spinney Media","version":"1.0","type":"link"}